Auditioning is just another skill on the roster, but a skill that is just as critical as scene study, emotional preparation or any other acting skill you might pick up in acting classes or elsewhere. Gaining acting experience on stage, film or television is an important way to develop acting skills, but that won't happen if you don't audition well. If you are considering acting classes, look for an institution that helps its students build auditioning skills. Being prepared, with a deep set of auditioning skills is necessary if you expect to exploit every opportunity to audition that comes your way. Acting classes like Kids Act LA that teach Meisner acting offer foundational skills that can be developed over time. Meisner acting techniques are strongly connected to powerful auditioning skills.
There are one or two ways that are common reasons actors "fail" to turn in arresting auditions. The first way to fail is to enter the audition with overconfidence. At the same time, being deeply insecure won't help either. Either one of these can count heavily against you-and not because auditors don't like overly nervous or over confident actors. Nervousness, overconfidence or any other type of emotional reaction to an audition is an unwanted block to the emotional presentation of the character you are auditioning for.
An overconfident or overly nervous auditioned is usually closed off to far more important emotions, those of the character they are creating in the moment. If you are over thinking it, you jeopardize the chance for something unexpected or thrilling to happen in the moment. The many layers of human traits, communicated in a thousand smalls ways is what must shine through, how you feel personally can't inhibit this.
The slate may not seem important. Remember this will be the first impression you make. It seems like a throwaway moment, just a way for the people conducting the audition to keep track. The bad news is this. Not all casting directors, producers or directors watch all the tapes past the slate. Actors must think about how many hundreds of other actors are also turning in tapes our auditions. They are on the lookout for the best of the best and a so-so slate will indicate that your tape is not worth their while. They need any excuse to move through the auditions as quickly as possible.
While this may seem harsh, it is certainly expedient. Whether it seems fair or not, the fact remains you had better learn how to slate well. Teaching auditioning skills is not part of every acting academy's curriculum. When researching acting classes, research those that teach about slates and other auditioning skills. Like any other skill, practicing slates makes perfect. Lights, camera action and give it a go. If you do practice slates here is more to consider. Communicating to a "presence" or person rather than the camera is important. Record and play back several versions of the slate and see how it plays. Get honest feedback from people you trust, and make sure that the slate presents who you are.
As for the information they want, it's most often limited to your name and the agency that represents you. First impressions should be short and sweet. While it might be okay to offer a hint of character for a commercial audition, it's still a risk. If you fall short of their expectations they may hit the eject button before the actual tape. The real purpose of the slate is for them to keep track of your tape, so just let them know if a few short seconds who you are. Once the slate is done, move quickly into character and give them the portrayal they could never have anticipated, the character they didn't even know they wanted. Classes like Kids Act LA that offer Meisner acting are a great place to develop the skills that can be used to build excellent auditioning skills.
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