One basic and all-encompassing difficulty with acting classes today is that they are full of actors who do not use the most critical acting skill, being attentive. Caught up in some inspiration of what performing is about, they are lacking the most elementary techniques. One common fallacy is that an actor should wait for the other performers to finish their lines before they begin to act. Spending many hours worrying over line readings, this kind of performer is fixed on the ouch rather than the pinch, and lose the spontaneity of impulse. This is a elementary ability that many aspirant actors do not even discover let alone learn. Performing is a steady flow. Minute by moment a new truth unfolds. It is significant not to assume what you imagine might go down next. A fresh, improvised overall performance is one in which there are surprises, even all through the one hundredth act. The next inquiry, of course, is how can an actor complete this? The astonishing reply is, by hearing, ...
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